Griffith, The Cheat is another subsequent landmark production for a couple of the talents it helped align. Thus, beyond the monumental impact of D.W. ![]() The cinema landscape was still in its utter infancy in 1915. East is East and West is West and never the twain shall meet. As always, we’d love to hear what you think. The Cheat (1915) and The Story of Sessue Hayakawa. We’re excited to unveil this new look and hope you’ll find the reading experience brighter and better. We based the changes on a survey some of you completed last January, two Chicago focus groups, and feedback you’ve given us over time, along with the ideas of Magazine folks and colleagues. While keeping the fundamentals, we’ve added more color, art, and air, and moved to a more readable typeface. The Cheat was particularly famous for its innovative use of expressive. ![]() Notice anything different around here? With this new volume, the Magazine staff is delighted to introduce a refreshed design. It was a film about a Japanese actor Sessue Hayakawa (1886-1973), who was a. (See “ Art and Artifice” for the complete story.) The new look Hayakawa’s life was remarkable regardless of which version you credit, and the reasons he inflated his UChicago connection are culturally illuminating. DeMille, yang dibintangi oleh Fannie Ward, Sessue Hayakawa, dan Jack Dean (1874-1950). Writer and editors had to hedge some bets as we tacked across the accounts of official records, movie magazines, film scholars, and the actor’s own memoir, sifting for the truth. The Cheat adalah sebuah film drama bisu Amerika 1915 garapan Cecil B. The revelation led us to view much of Hayakawa’s own telling of his life story-stretching from before his star turn in 1915’s The Cheat to after his Oscar-nominated 1957 performance in The Bridge on the River Kwai-with skepticism. Even going by the Magazine’s and the University’s most inclusive definitions, he was not an alumnus. The actor, it seemed, completed no coursework and may never have been on campus at all, despite his colorful anecdotes to the contrary. Cap and Gown yearbooks from the early 20th century contain no trace of him. But further research showed only that Hayakawa enrolled in two correspondence courses-and had a San Francisco address at the time. When we first assigned the piece, we knew Hayakawa had not graduated but thought he had attended long enough to be called a nondegreed alumnus (“EX” in the Magazine’s language). ![]() What made the journey from draft to print so long? It was over a year ago that the writer, Amy Monaghan, AM’93, first turned in the story, yet it’s just now appearing. We wanted to know more, and thought many of you might like to as well. According to many sources, including the New York Times-and, well, the University of Chicago Magazine-the Japanese-born actor attended the College and played varsity football before becoming a cinema sensation and unlikely American matinee idol in the 1910s. For a long time Sessue Hayakawa was on the Magazine’s future story ideas list.
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